Lopess

5 Betzao 13 Gol http://www.biyubi.com/did_vocabulario26.html#n

I am convinced that perhaps we can use these names for Zapotec kings, all before AD 500. and best of all we have reference graphics of their helmets so that one can be different from the other, unfortunately we do not have much historical information about them due to the lack of translation of the old zapotec, however the little we have is something much better than nothing. 5 jaguar: " ... Entre ellos se encontraba un gobernante llamado 5 Jaguar, quien durante su gobierno, que tuvo lugar en algún momento entre el 350 y el 550 de la Era Común, encargó una pequeña estructura cuatripartita de conmemoración, muy probablemente ubicada en el centro de la plaza (Figura 2.4-1). Seis de las ocho superficies angostas visibles en los dinteles de los cuatro recintos registraban su asunción al poder, y mostraban 14 personajes secundarios presentándole vasallaje, mientras que al mismo tiempo rendían homenaje a su predecesor fallecido –muy probablemente su padre– quien ha sido identificado como 13 Planta Jabón (13N). " "... Among them was a ruler named 5 Jaguar, who during his government, which took place sometime between 350 and 550 CE, commissioned a small quadripartite commemoration structure, very probably located in the center of the plaza (Figure 2.4-1). Six o'clock Narrow surfaces visible on the lintels of the four enclosures recorded their assumption of power, and they showed 14 secondary characters presenting him vassalage, while at the same time paying homage to their deceased predecessor - very probably his father - who has been identified as 13 Soap Plant (13N). " 13 Nigth: "... con el correr del tiempo fue sucedido por otro gobernante llamado 13 Noche (13F), quien aparentemente se hizo todavía más famoso por haber sido quien encargó uno de los programas narrativos más ambiciosos e impresionantes conocidos de ese período en Monte Albán (Figura 2.4-2). Para crearlo, el Señor 13 Noche ordenó el desmantelamiento de la estructura conmemorativa cuatripartita que hizo construir el Señor 5 Jaguar, reusando los dinteles y complementándolos con bloques de piedra recién extraídos a fin de labrar sobre partes de superficie más amplias de aquello que, en conjunto, es una celebración de su ascenso al trono.16 Un evento de esta naturaleza es proporcional a un “amarre” de una Rueda Calendárica, esto es, el final-comienzo de un ciclo de 52 años, y narra nuevamente sus pretendidas hazañas militares. Siete ortostatos tallados con una sección importante del programa narrativo pueden haber decorado el costado de una gran estructura piramidal, mostrando al supremo gobernante supervisando una procesión de 6 cautivos con sus brazos y piernas atados (Figura 2.5).17 Uno de los prisioneros de más alto rango también aparece representado como un jaguar, lo que implica que se trataba del gobernante de un importante reino que el Señor 13 Noche proclamaba haber conquistado. En un trabajo previo yo di por sentado que “tal vez otras fachadas dentro de la misma plataforma o de hileras superpuestas también estuvieran decoradas, formando una composición narrativa todavía más grande y más inclusiva” (Urcid 1992a: 263). El descubrimiento de Marcus Winter en 1993 de una piedra angular con rastros de un prisionero en la superficie más grande, y un texto lineal en la cara más angosta que incluye el nombre de 13 Noche, no sólo rebate las objeciones de algunos eruditos con respecto a las hipotéticas reconstrucciones comentadas hasta aquí (Balkansky 2002: 904; Houston 2002: 24)18, sino que permite considerar incluso otras implicaciones con respecto al programa narrativo encargado por el Señor 13 Noche. Una es que la estructura que contiene la narración tenía sus ángulos de base inscritos, y que la cuarta piedra angular todavía no ha sido hallada. La otra implicación es que dicho arreglo cuatripartito de bloques angulares labrados muy probablemente aluda a un componente importante de los rituales de ascensión al trono practicados por el Señor 13 Noche. Según los relatos nativos y de principios de la colonia de diferentes regiones de Mesoamérica, al acceder a un alto cargo los gobernantes encendían un fuego nuevo y lanzaban flechas o dardos a los cuatro rincones del mundo para demarcar simbólicamente el territorio bajo su control, y enviaban a cuatro señores –a cada uno de los cuatro extremos del territorio reclamado, para distribuir la tierra entre los nobles (Oudijk 2002). Tal expresión simbólica del papel del gobernante como axis mundi (para centrar al mundo) y de proclamación territorial en ceremonias de ascensión al trono no sólo han sido aludidas en el marco arquitectónico del programa narrativo encargado por 13 Noche, sino que también parece haber sido expresada en otro monumento labrado que muestra a un señor jaguar llamado 11 Lluvia de pie sobre un gran glifo E (la concepción cuatripartita de la tierra), que tiene un dardo en cada esquina (Figura 2.6). Queda por saber quién sucedió al Señor 13 Noche como gobernante de Monte Albán y su ciudad-estado, pero es evidente que con el tiempo, algún sucesor cercano o remoto ordenó el desmantelamiento del programa narrativo que conmemoraba su ascenso al trono, reusando los monolitos labrados para marcar las cuatro esquinas de la Plataforma Sur." "... with the passage of time was succeeded by another ruler named 13 Noche (13F), who apparently made even more famous for being the one who commissioned one of the programs most ambitious and impressive narratives known from that period in Monte Albán (Figure 2.4-2). To create it, Lord 13 Night ordered the dismantling of the quadripartite commemorative structure built by Lord 5 Jaguar, reusing the lintels and supplementing them with freshly quarried stone blocks in order to work on larger parts of the surface of what, together, is a celebration of his accession to the throne.16 An event of this nature is proportional to a “mooring” of a Calendar Round, that is, the end-beginning of a 52-year cycle, and recounts his alleged military exploits. Seven orthostats carved with an important section of the narrative program may have decorated the side of a large pyramidal structure, showing the supreme ruler overseeing a procession of 6 captives with his arms and legs tied up (Figure 2.5) .17 One of the highest ranking prisoners also appears represented as a jaguar, which implies that it was the ruler of a important kingdom that Lord 13 Night claimed to have conquered.In a previous work I took for granted that “maybe other facades within the same platform or overlapping rows were also decorated, forming an even larger and more inclusive narrative composition ”(Urcid 1992a: 263). Marcus Winter's 1993 discovery of a cornerstone with traces of a prisoner on the larger surface, and a linear text on the face narrower that includes the name 13 Night, not only rebuts the objections of some scholars regarding the hypothetical reconstructions discussed up to here (Balkansky 2002: 904; Houston 2002: 24) 18, but allows us to consider even other implications regarding the narrative program commissioned by the Lord 13 Night. One is that the structure that contains the narrative had its inscribed base angles, and that the fourth cornerstone has yet to be found. The other implication is that such a quadripartite arrangement of carved angular blocks most likely alludes to an important component of ascension rituals to the throne practiced by the Lord 13 Night. According to the native and early colonial times from different regions of Mesoamerica, by accessing a high the rulers lit a new fire and threw arrows or darts at the four corners of the world to symbolically demarcate the territory under its control, and they sent four lords - to each of the four ends of the claimed territory, to distribute the land among the nobles (Oudijk 2002). Such symbolic expression of the ruler's role as axis mundi (to center the world) and territorial proclamation in ceremonies of accession to the throne not only have been alluded to in the architectural framework of the narrative program commissioned by 13 Night, it also seems to have been expressed in another monument carving showing a jaguar lord named 11 Rain standing on a large glyph E (the quadripartite conception of the earth), which has a dart in each corner (Figure 2.6). It remains to be known who succeeded Lord 13 Night as ruler of Monte Alban and its city-state, but it is evident that over time, some successor near or remote ordered the dismantling of the narrative program that commemorated his accession to the throne, reusing the carved monoliths to mark the four corners of the South Platform." fonte pdfs: http://www.famsi.org/spanish/zapotecwriting/

The Scythians need a more colorful texture to differentiate themselves from the Xiongnu (I believe that the current Xiongnu can continue as it is).

The genealogical record was something really important for royalty. https://arqueologiamexicana.mx/mexico-antiguo/una-casa-de-ancestros-reales-en-el-cerro-de-la-campana-oaxaca

Is this mod still alive?

Recuerdo que en Palenque hay sistemas avanzados de este tipo, no solo allí, en toda el área maya desde los preclásicos, había sistemas de manejo de agua muy avanzados.

As I said that I am not a great artist and in this part 0ad is not very friendly, I advise you to first try to make a modification to a model with a skeleton that already exists in the game. In addition to the .dae file, an XML file provided in mod / art / skeletons that corresponds to your bone structure is required for every animated object. To make creation easier, you can use this script https://github.com/StanleySweet/0AD-Skeleton-Generator from Stan.

2.92.0

Is any doubt in specified, maybe I can help, I'm not a great artist but I know the least about exporting .dae to 0ad.

Something to think about, given the general meaning of the structure, I would think of some militaristic and or religious bonus, at that time things were together, more defeated enemies = more power and taxes = captives for sacrifices to the gods

Perhaps we can also add this as a second special structure. The dancers portrayed were actually dead enemy warriors and kings, being one of the first large constructions in the city.

Mayas Kaqchikeles posclassicos.

I have an idea about how this could be "resolved" or at least minimized. Give a mark on the ground when selected other than the current round for citizen units.

Relaciones Teotihuacan Monte Alban. Thttps://www.elsevier.es/es-revista-anales-antropologia-95-articulo-procedencia-mica-teotihuacan-control-recursos-S0185122516300327

@Lion.KanzenRemember also the calendar names, the walls of Monte alba were full of them, in the main the building already climbs the conquests of that city and the kings they conquered. zapotec_figures2_es.pdf

This really deserves its own medieval village creation mod lol.

Clubman or maceman?

Some interesting things about the war in Oaxaca preclassica. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC208841/ . https://www.pnas.org/content/100/20/11185.

@Lion.KanzenQuizás guerreros Lenca como mercenarios / aliados mayas? Igual los Teotihuacanos.

I will start working with zapotec shields, they are a little too low poly compared to current shields, I believe that over time the number of tris required for the 0ad has been increased.

I am working on mercenaries / units allied on maps for the delenda est, I am not good with textures but I am trying as best as possible. For now mixtec warrior and otomi warrior.

Esa textura podría ser una buena estructura especial, ¿todavía la tienes?

Soy un simple principiante entusiasta, mientras que Lordgood es un maestro Samurai, bromas aparte, creo que podría hacerlo con algunos modelos 3d como base para modificar.

Using Stan's incredible textures and props. Maybe one day the Yayoi will be released :, ( .

@Apolo.rvaaquí hay un lugar para discusiones sobre un mod para civilizaciones precolombinas de todo el continente, aún queda mucho trabajo por hacer pero creo que será interesante para ustedes.