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Posts
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Everything posted by Lion.Kanzen
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This my idea for the Symbol
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http://youtu.be/eY21Lj0kWiQ
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New task for Mimo , for now nobody talk about that , may be you need wait to alpha 19 or later, but for now you can use outpost to finding all enemy units.
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Check Lybian archer and swordsman. http://wildfiregames.com/forum/index.php?showtopic=17011&p=304438
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Check out egyptian play test topic and need props for this civ. Helmet, chariots head props and moded egyptian ship. Talking about features ! Would be nice some "Delenda Est" features in Aristeia
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the only thing that I'm not sure is about show breats
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Minoans haven't cavalry army, only some chariots, but there aren't evidence of mounted sole horseman. So we must suppose they can ride a horse without a chariot? The chariot, probably invented in the Near East, became one of the most innovative weaponry in Bronze Age warfare. It seems that the Achaeans adopt the chariot for use in warfare in the late 16th century BC as attested in some gravestones as well as seal and ring. The use of the chariot was more likely diffused in the Greek mainland from the Near East after the Middle Bronze Age (about 1950-1550 BC) as a result of the Central and East Europe migration flows and Achaeans' trade contacts with that regions. It seems in fact that the chariot does not seem to have come to the mainland via Crete, but the other way around. It was not until the mid 15th century BC that the chariot appears on the Crete island, as attested by a seal engraving and the linear B tablets. The Achaean chariots can be conventionaly divided into five main design which can be identify as "box-chariot", "quadrant-chariot", "dual-chariot", "rail-chariot", and "four-wheeled chariot". The first two and the "four-wheeled chariot", in different variants, are attested since the early period of the Late Helladic time. The "dual-chariot" is attested since the middle of the 15th century BC and"rail-chariot" seems appeared only around the LH IIIB (about 1300 BC) when this horse-drawn weaponry was not only used as mobile fighting vehicle but also as battlefield transport. Both these utilizations are in fact also mentioned in the Iliad (*1). Despite the general opinion horse-mounted warriors were also used during the Late Helladic time even if the main utilization of the horse was as chariots drawer. No complete Achaeans chariots survived even if some metallic parts and horse-bites have been found in some graves and settlements furthermore chariots bodies, wheels and horses are inventoried in several Linear B tablets. BOX CHARIOTS On a gravestone from the royal Shaft-grave V in Mycenae dated LH II (about 1500 BC) there is one of the earliest depiction of the chariot in Achaean art. This sculpture shows a single man driving a two-wheeled small box chariot. The man on the chariot holds in his left hand a sword which is still in the sheath. In his right he holds a long object, which ends at the horse's mouth, and which being at first thick and becoming gradually thinner, resembles much more a lance than the reins; and it is difficult to say which of the two the artist intended to represent.A man on foot stands placidly in front of him holding a large club, stick or sword. This representation it has usually been understood as an Achaian warrior running down his opponent, nevetheless it has been also argue that the scene could instead represent an aristocrats at funeral game, where chariot races were later the highest entertainment for trained men at death of King. In another gravestone from Mycenae dated from the same period another small box-chariot is represented, in this case the reins hold by the singol charioteer are well indicated by one broad band. The chariot-box is here exceedingly low, and very small when compared with that of the chariot on the other tombstone, but it is not less remarkable, because it is surrounded by a band or fillet. The adversary on foot assaults the man on the chariot with a long lance , on which can be seen an object of a peculiar form, which much resembles one of the plain Trojan idols (*2), and must have served to attach the lance to the shoulder. A stele with a possible hunting scene is also from the royal-shaft grave circle in Myceane. Also in this case a single man is driving a two-wheeled small box chariot. A dagger or short sword is probably hang on the man right side at waist level. As for the other similar chariots also in this one the four-spoked wheels are positioned near the centre of the cab, and a shaft running horizontally from the yoke to the front of the cab further strengthened the vehicle. ######################## faction symbol########### Ok we need a symbol I will make a ceramic fake plate as symbol or maybe a disc painted...
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new Lybian units @Stan we can change an own cape ?(I request a new cape)
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@Stan we can have some of these?
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Ok this the unit missing for reference
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thank you is useful see other perspective
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I'm experimenting problem issues with this: <VisualActor> <Actor>units/egyptian/infantry_swordsman_b.xml</Actor> </VisualActor></Entity>
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What is best Black Marble or Egyptian stone?
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Sardinian Sea People
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today we using these references. You must be part of Council of Modders team as source references in the credit list
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Searching images in pin interest https://www.pinterest.com/marcoabal/ancient-warfare/
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===[COMMITTED]=== Ptolemaic/Seleucid Helmet Props
Lion.Kanzen replied to Sighvatr's topic in Completed Art Tasks
"Macedonian Armies: Infantrymen of the Guard, c. 325 - 300 BC", Peter Dennis This will be apply for all Macedonian ( Diadochi) -
Minoan warriors with libyan prisoners in the city of Akrotiri on the island of Santorini, before a volcano blew half the island into the air. 1600 BC Bronze Age - art by Giuseppe Rava
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About warfare. Though the vision created by Arthur Evans of a Pax Minoica, a "Minoan peace", has been criticised in recent years,[48] it is generally assumed there was little internal armed conflict in Minoan Crete itself, until the following Mycenaean period.[49] As with much of Minoan Crete, however, it is hard to draw any obvious conclusions from the evidence. New excavations sustain scholarly interest and document the culture's influence around the Aegean.[50] Despite having found ruined watchtowers and fortification walls,[51] Evans argued that there was little evidence for ancient Minoan fortifications. But as S. Alexiou has pointed out (in Kretologia 8), a number of sites, especially Early and Middle Minoan sites such as Aghia Photia, are built on hilltops or are otherwise fortified. As Lucia Nixon said, "...we may have been over-influenced by the lack of what we might think of as solid fortifications to assess the archaeological evidence properly. As in so many other instances, we may not have been looking for evidence in the right places, and therefore we may not end with a correct assessment of the Minoans and their ability to avoid war."[52] Chester Starr points out in "Minoan Flower Lovers" (Hagg-Marinatos eds. Minoan Thalassocracy) that Shang China and the Maya both had unfortified centers and yet engaged in frontier struggles, so the lack of fortifications alone cannot be enough to conclude that the Minoans were a peaceful civilization unparalleled in history. In 1998, however, when Minoan archaeologists met in a conference in Belgium to discuss the possibility that the idea of Pax Minoica was outdated, the evidence for Minoan war still proved to be scanty. Archaeologist Jan Driessen, for example, said the Minoans frequently show 'weapons' in their art, but only in ritual contexts. He said, "The construction of fortified sites is often assumed to reflect a threat of warfare, but such fortified centres were multifunctional; they were also often the embodiment or material expression of the central places of the territories at the same time as being monuments glorifying and merging leading power" (Driessen 1999, p. 16). On the other hand, Stella Chryssoulaki's work on the small outposts or 'guard-houses' in the east of the island represent possible elements of a defensive system. Claims that they produced no weapons are erroneous; type A Minoan swords (as found in palaces of Mallia and Zarkos) were the finest in all of the Aegean (See Sanders, AJA 65, 67, Hoeckmann, JRGZM 27, or Rehak and Younger, AJA 102). Keith Branigan claimed that 95% of so-called Minoan weapons possessed hafting (hilts, handles) that would have prevented their use as weapons (Branigan, 1999). But, recent experimental testing of accurate replicas has shown this to be incorrect; these weapons were capable of cutting flesh down to the bone (and scoring the bone's surface) without any damage to the weapons themselves.[53] Archaeologist Paul Rehak maintains that Minoan figure-eight shields could not have been used for fighting or hunting, since they were too cumbersome (Rehak, 1999). And archaeologist Jan Driessen says the Minoans frequently show 'weapons' in their art, but only in ritual contexts (Driessen 1999). Finally, archaeologist Cheryl Floyd concludes that Minoan "weapons" were tools used for mundane tasks such as meat-processing (Floyd, 1999). But, this theory is questionable given the evidence of "rapiers nearly three feet in length"[54] dated to the Middle Minoan period. About Minoan warfare, Branigan concludes that "The quantity of weaponry, the impressive fortifications, and the aggressive looking long-boats all suggested an era of intensified hostilities. But on closer inspection there are grounds for thinking that all three key elements are bound up as much with status statements, display, and fashion as with aggression.... Warfare such as there was in the southern Aegean EBA early Bronze Age was either personalized and perhaps ritualized (in Crete) or small-scale, intermittent and essentially an economic activity (in the Cyclades and the Argolid/Attica) " (1999, p. 92). Archaeologist Krzyszkowska concurs: "The stark fact is that for the prehistoric Aegean we have no direct evidence for war and warfare per se" (Krzyszkowska, 1999). No evidence has been found of a Minoan army, or for Minoan domination of peoples outside Crete. Few signs of warfare appear in Minoan art. "Although a few archaeologists see war scenes in a few pieces of Minoan art, others interpret even these scenes as festivals, sacred dance, or sports events" (Studebaker, 2004, p. 27). Although armed warriors are depicted being stabbed in the throat with swords, violence may occur in the context of ritual or blood sport. On the Mainland of Greece at the time of the Shaft Graves at Mycenae, there is little evidence for major fortifications among the Mycenaeans there. (The famous citadels post-date the destruction of almost all Neopalatial Cretan sites.) The constant warmongering of other contemporaries of the ancient Minoans – the Egyptians and Hittites, for example – is well documented.
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Tower Shield One of the most common type of Achaean early body-shield was the as called "tower shield". It is represented mainly on wall-paintings and rings and so far in only one late pottery as defence weapon.This shield was probably composed by an internal wood structure fastened to form a cross. Several layers of toughened bull's hide were glued and stitched to a wicker structure. In a couple of "Warriors' graves" from Haghios Joannis and Knossos dated around the middle of 15th century BC several fragments of copper wire shaped as staples have been found. These wires could have been used to joint together the several layers of hide of a body-shield and it is more likely the only survived element of a perishable material body-shield used in that time. A rim probably made of leather or bronze was normally placed around the shield. Based on some representations we can't exclude that externally this shield was in some case covered with a thin embossed or decorated bronze plate. Internal grip and baldric were used by the warrior to properly handle the shield. The earliest evidence of the large rectangular shield "tower shield" is from a fresco from Akrotiri in the Thera island. This fresco was clearly painted before the destruction of the Island by an earthquake followed by the volcano's eruption which based on the most recent analysis seems occurred not later of 1600 BC. In this fresco a row of warriors with long spears, swords, boar tusk helmets (see also the page dedicated to the early helmets) and rectangular body shields are depicted. These kind of shields were probably made of hide, in this case must have consisted of goat-hide as the skin of some goats shown in the same fresco depicted with the same colour-pattern of the shields' surface.
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I save the images here From Knossos some wall paintings dated about LM II and LM IIIA1 (about 1500-1350 BC) which have been restored by Arthur Evans show colourful shields in figure-of eight. Similar example of body-shield used as decorative motif have been also discovered in Tiryns, Mycenae and Thebes From Knossos comes this interesting pendant dated LM IIIA (about 1370 BC) representing a shield in figure-of-eight. In this specimen a recurrent Achaean decorative motif is present on the external surface of the shield. In this pottery fragment always from Knossos dated about at the end of the second palace period (about 1380 BC) a shield in figure-of-eight hanging from a wood lintel is depicted. On the right a warrior with an interesting helmet is also shown (see the page dedicated to the middle helmets) . The better-preserved and restored shield fresco, of which over two hundred fragments were found, is from the Inner Forecourt of the Old Palace at Tiryns.The painting shows the seam line and the central elongate boss which in the real shields could have been made in bronze, tin or wood.
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I found this Lordgood.