===[TASK]=== Wooden Theatron for the Spartans (and Thebans)

[wowgetoffyourcellphone]

A stone theater was not built in either Sparta or Thebes until Hellenistic times. Prior to that, both cities had wooden theaters. The current stone theater/sanctuary model can be used as an Atlas object. For base game, half of the Spartan Theatron's cost could be in Wood. 

@Obskiuras, would you like to create a concept?

[Thalatta]

3 hours ago, wowgetoffyourcellphone said:

A stone theater was not built in either Sparta or Thebes until Hellenistic times. Prior to that, both cities had wooden theaters. The current stone theater/sanctuary model can be used as an Atlas object. For base game, half of the Spartan Theatron's cost could be in Wood. 

@Obskiuras, would you like to create a concept?

Indeed. I was mentioning something similar with the Theban shipyards. And I've discussed with @Emacz how much less monumental the Spartans were compared to the Athenians. Having different models could also be useful for any mod that wants to include building upgrades (civ allowing), which I've also proposed for Towers. These things would make civs more unique, and make gameplay more interesting.

[Genava55]

An example from Athens to work with

Edited August 28 by Genava55

[Obskiuras]

13 hours ago, wowgetoffyourcellphone said:

A stone theater was not built in either Sparta or Thebes until Hellenistic times. Prior to that, both cities had wooden theaters. The current stone theater/sanctuary model can be used as an Atlas object. For base game, half of the Spartan Theatron's cost could be in Wood. 

@Obskiuras, would you like to create a concept?

I´ll do my best!

[nifa]

From assasins creed. Should we go for something similar, especially with the stage? Is it historically accurate?

[Thalatta]

@nifa, AC's picture resembles the 2nd that @Genava55 posted, but I'd guess the 1st one he posted is a bit more accurate, being more elongated. Nothing remains from wooden theatres, but one can see the layout of the earliest stone ones, an example being the one at Thorikos, the world's oldest known theatre, from around 500 BC (https://theatreofancientgreece.blogspot.com/2014/08/ancient-theatre-of-thorikos.html):

The Euonymon Theatre in Trachones would be another example (for more details, and mention of others: https://www.theatrum.de/382.html).

Additionally, the Oxford Classical Dictionary states, regarding the early Theatre of Dionysus in Athens, that "late 19th-cent. excavations suggested a circular orchestra; many now prefer to think of a rectilinear orchestra" (thus hard to say something about its exact shape, considering others just state "possibly in Pi-shaped arrangement around the orchestra"), "the stage and most probably the stage building were wooden at this period; some think that there was no stage building till shortly before the Oresteia in 458 BC", while before "the stage was about a metre high with a flight of steps in the centre communicating with the orchestra". It was rebuilt in stone in 350 BC (although in many cases there are intermediate stages, like the first rows only being made of stone, but this would be too much for the game, for now).

[nifa]

31 minutes ago, Thalatta said:

@nifa, AC's picture resembles the 2nd that @Genava55 posted, but I'd guess the 1st one he posted is a bit more accurate, being more elongated. Nothing remains from wooden theatres, but one can see the layout of the earliest stone ones, an example being the one at Thorikos, the world's oldest known theatre, from around 500 BC (https://theatreofancientgreece.blogspot.com/2014/08/ancient-theatre-of-thorikos.html):

The Euonymon Theatre in Trachones would be another example (for more details, and mention of others: https://www.theatrum.de/382.html).

Additionally, the Oxford Classical Dictionary states, regarding the early Theatre of Dionysus in Athens, that "late 19th-cent. excavations suggested a circular orchestra; many now prefer to think of a rectilinear orchestra" (thus hard to say something about its exact shape, considering others just state "possibly in Pi-shaped arrangement around the orchestra"), "the stage and most probably the stage building were wooden at this period; some think that there was no stage building till shortly before the Oresteia in 458 BC", while before "the stage was about a metre high with a flight of steps in the centre communicating with the orchestra". It was rebuilt in stone in 350 BC (although in many cases there are intermediate stages, like the first rows only being made of stone, but this would be too much for the game, for now).

I think our model should have roughly the same footprint as the existing stone theater model, which means that the shape from the second image from @Genava55 fits much better for our needs. And the Skene would be made of wood and fabric then.

[wowgetoffyourcellphone]

10 hours ago, nifa said:

From assasins creed. Should we go for something similar, especially with the stage? Is it historically accurate?

I can't see this unless I edit the link. Here's what I see then, which is actually a pretty good rendition.
 

[nifa]

I found a different reference for a stage, which I prefer. It has a stone building in it, but the whole structure still looks "rustic" enough I think. Still a wip, so UVs, props and all that small stuff are incomplete. If I'm on the wrong track it's good to know early though, so what do you think?

 

Spoiler

 

Spoiler

 

 

[wowgetoffyourcellphone]

Maybe make the Skene 20% larger, not to proportion it to the rest, but to proportion it to units. I'd sat the player color awning could be a little taller.  Imagine sitting in the cheap seats and not being able to see the orchestra or the stage.

Othwrherwise, I'm really loving this. 

[Thalatta]

11 hours ago, nifa said:

I found a different reference for a stage, which I prefer.

Can you share?

 

More from the Oxford Classical Dictionary (previously I mentioned that "the stage was about a metre high with a flight of steps in the centre communicating with the orchestra"): "The stage was entered from either side (and some plays exploit the contrast), and from a central door in the stage building, representing palace, temple (and sometimes pavilion, tomb, or cave) in tragedy; for comedy, three doors are certain for the 4th cent., and were probably available in the 5th. The central door also housed the ekkykléma, a wheeled platform perhaps measuring c.2.5 1.5 m., and in any case large enough to display set-pieces of events that had taken place inside, like Ajax's torture and slaughtering of the animals in his tent in Sophocles's play Ajax. Towards the right (western) end of the stage area a crane (méchané, machina) could be manipulated from behind the stage building to bring gods or heroes through the air onto the stage, or to have them fly up from it, like Bellerophon on Pegasos in a scene of Euripides which Aristophanes parodies in Peace. The roof of the stage building was also accessible: it was used for the watchman on the roof in Aeschylus’ Agamemnon, but in later tragedy mostly for the appearance of gods. The contrast between the hidden interior of the stage building and the daylight outside, between the gods on high and the actors on stage, and between these and the chorus, half-way to the audience and virtually within its territory, are all physical facts which the playwrights exploited. It is possible that the stage building had wings already in the later 5th cent. but the evidence is uncertain. In the 4th cent. the most important development was the so-called Lycurgan theatre with its stone stage building faced with semi-columns."

 

The most clarifying picture I could find:

 

Then:

-You can leave the episkenion (second skene level), it was present by the late 5th c. BC, but maybe modified to have space for a hatch and stairs.

-You could add a small 1 m high stage with central stairs leading to the circular orchestra. Your three skene doors look too similar to panels.

-Your stone semi-columns seem from the post-350 BC Lycurgan phase. By then, the seating would have been of stone also. I'd stick with wood.

-You could leave the central door open to show the wheeled plataform. Maybe another door could be (partially) open, revealing clothes and masks.

-That crane doesn't seem accurate (no counterweight), but there are plenty of options around, which would improve the rear skene looks.

-I'm not really sure how the "interior" was used, seems a bit too hidden for me, maybe it's just that the stage has some shadow from the skene.

EDIT: maybe the first row of seats could be made of stone, that was one of the first stone additions, and it was maybe present by the time there were three acting levels, after all "some think that there was no stage building till shortly before the Oresteia in 458 BC", at least using the Theatre of Dionysus at Athens as reference.

Edited 4 hours ago by Thalatta

[nifa]

4 hours ago, Thalatta said:

Can you share?

It's a drawing that I saw in book, but I just rediscovered it here on page 123: https://publications.dainst.org/journals/aa/article/download/1936/5967