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Buenos días o tardes: -A raíz de crear el mapa para los irlandeses, pensé que para los lusitanos también , ya que fueron el motor de este mod, de ahí el nombre del mod, por lo que les hice un mapa también: -Y como se verá vacío aún con la flora , les hice unos animales extra (Algunos también sirven para otros mapas europeos, asiáticos y africanos): ¿Qué opinan? Disculpen las molestias*
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For the record, there are two old models already in the game as actors (special/old/hellenes_theatre.xml): The left skene seems to be from lycurgan phase, the right one from hellenistic. See also: https://trac.wildfiregames.com/browser/art_source/trunk/concept art/structures/rtheater.jpg (roman theater) https://trac.wildfiregames.com/browser/art_source/trunk/concept art/structures/hellenes-specialbuilding-theatrondetail.jpg https://trac.wildfiregames.com/browser/art_source/trunk/concept art/structures/MDHafer-hellenestheatron001.jpg Seems to me like the first concepts were more accurate somehow
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By Nicolaus_von_Kues · Posted
Dura Europos. https://www.persee.fr/doc/syria_0039-7946_1986_num_63_1_6923 -
Civilis did not possess a native Batavian navy. The vessels he commanded were captured Roman ships. Earlier in the rebellion, the Batavians had ambushed and captured Roman river flotillas (Classis Germanica) based along the Rhine, as well as light coastal vessels operating in the North Sea. To pad his numbers, Civilis added local transport boats, skiffs, and canoes. Tacitus notes in this quote you shared that he rigged these captured craft and boats with particoloured plaids (traditional Germanic woven cloaks) as improvised sails, creating a colorful visual display.
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By Nicolaus_von_Kues · Posted
Some phrases and ideas I found. The machine replicates the technique but not the sensitivity. This applies to the industrial revolution. It will become more expensive and elite to own something made through Craftsmanship art. People are going back to older techniques. You know how to do it by hand, and even with paint, and who knows, maybe even with natural paint. The Aesthetics of the "Smooth": Today, we find beauty in things that offer no resistance and cause no pain—like smartphones, Jeff Koons’ sculptures, or hairless skin. It is the triumph of positivity, where everything strange or disturbing is eliminated. ----- Now I say this: Without sacrifice there is no lasting gratification, only momentary gratification. That's why this project feels good. That's why building an empire over centuries is rewarding. Building more than consuming. Life loses its meaning if everything is so easy and immediate. Value your talents, guys.
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