Lion.Kanzen

Thank you for reply Josh . @Headclot And that was short explanation. I'm waiting for Feneur's large reply, that be very large and educational. It's not about be rude it's about respect the years of development and many contributors and Dev team. Thank you.

Im not You want join uses real engine to 0a.d. We have a council of modders we modify the game there .

It's like a several collection of building like with other. May be the coins are given in the temple and they make them in that little building place.

No. We have our own Pyrogenesys. Thank you.

Know I see the images, the roman temple have a addon building near in one of side with a chimney

In my opinion use you model and use the image I give to you and mix with a blacksmith concept.

Workshop like: Sekobirikes, Arekoratas, Baskunes, Kaiskata I need find what means that names, it's about workshop where ancients(Iberian or Carthaginians) mints the coins... It's very large and extended text in Spanish but with images. Spanish origin source: El espacio físico donde se trabajaba es uno de los aspectos menos conocidos de la acuñación de moneda en la Antigüedad. La infraestructura y el espacio necesario serían mínimos (fig. 8); el volumen de las emisiones y su continuidad, determinaría que se ocupasen provisionalmente edificios para desarrollar el trabajo, como en el caso de algunas emisiones ibéricas, o que existiesen sedes permanentes para el mismo como sucedió en la ciudad de Roma. Una variante fueron las cecas itinerantes de campaña o aquellas que en el bajo-imperio se movían junto con la corte imperial. También fueron cecas coyunturales aquellas que se dedicaron a las imitaciones[111]. En Marsella se ha excavado recientemente una instalación metalúrgica para preparar flanes, que estuvo situada dentro del arsenal militar o puerto de guerra[112]. Los cospeles recuperados son de bronce, metal que se empezó a acuñar en Massalia en la segunda mitad del s. III a.C. El suelo era de tierra batida, y se han encontrado en el lugar una cuba para agua, un crisol, y numerosos flanes obtenidos con moldes univalvos. La preparación de los cospeles consistía en recortarlos, volver a cocerlos a 500º, martillearlos, y finalmente pulirlos en un bloque de gres, untados en una pasta de arcilla o de ceniza húmeda. El proceso daba calidad al producto final, dificultando las falsificaciones. El lugar ocupado por la ceca de Atenas en época clásica no ha sido convenientemente aclarado[113]. Sin embargo, hay dos edificios en el Ágora relacionados con la acuñación de moneda en época helenística y romana, uno en uso desde el siglo IV hasta el cambio de era y el otro del siglo III d.C. El primero de ellos es un edificio con muros sólidos, patio y habitaciones y de unos 29x27 m[114], y el segundo es un edificio algo mayor donde se han encontrado restos de acuñación[115]. A pesar de estas evidencias nuestro conocimiento de los talleres importantes, es nulo o muy parco como sucede con Lugdunum y Tesalónica, y puede ser difícil distinguirlas de talleres de falsificadores como en los casos de Augusta Raurica y Londinium[116]. La ceca de la Roma republicana se encontraba en el Capitolio[117], en las proximidades del templo de Juno Moneta, tal y como indica Livio[118], lo que significa que en época de Augusto todavía estaba allí. El incendio del Capitolio en el 80 d.C. fue el origen de numerosas intervenciones y muy posiblemente del traslado de la ceca. En el año 84 se comenzó a acuñar el tipo de reverso moneta augusta[119], probablemente conmemorando de algún modo la apertura del nuevo taller. El traslado que llevaría la ceca a la Regio Tertia, bajo la actual iglesia de S. Clemente y cerca del Coliseo, no debe ser anterior a los flavios. Es la única ceca de la que tenemos constancia que fue construida con este fin[120]. El edificio excavado es de planta rectangular y de unos 65x30 m, del que resultarían unos 638m2 sin el patio, tiene unas veinte tabernae, y quizás una segunda planta con talleres para aprendizaje de oficios y archivo[121] (fig. 9). Su planta coincide con la de un fragmento perdido de la planta de mármol severiana, donde se lee MON dentro de un edificio rectangular con patio y tabernae (fig. 10). Translation. The physical space where working is one of the least known of coinage in ancient ways. Infrastructure and space required would be minimal (Fig. 8), the volume of emissions and its continuity, is tentatively determined that occupy buildings to develop the work, as in the case of some Iberian emissions, or that exist for permanent venues same as happened in the city of Rome. A variant were itinerant campaign mints or those in the low-empire moved along with the imperial court. Cyclical mints were also those who devoted themselves to imitation. [111] Marseille has been recently excavated a metallurgical facility to prepare puddings, which was located within the military arsenal or war harbor. [112] The blanks are recovered bronze metal coin that started in Massalia in the second half of the s. III B.C. The floor was clay, and found in the place a Cuba to water, a pot, and numerous puddings obtained univalves molds. The preparation consisted of the blanks cut them, re-baking them at 500 °, martillearlos, and finally polishing of a block of ceramic, dipped in a slurry of wet clay or ash. The process gave the final product quality, preventing counterfeiting. The place occupied by the mint of Athens in classical times not being properly clarified [113]. However, there are two buildings in the Agora related coinage in Hellenistic and Roman times, one in use since the fourth century to the turn of time and the other the third century AD The first is a building with solid walls, patio room and a 29x27 m [114], and the second is a somewhat larger building where remains have been found of issue. [115] Despite this evidence our understanding of important workshops is null or very sparing as happens with Lugdunum and Thessaloniki, and can be difficult to distinguish from workshops counterfeiters as in cases of Londinium Augusta Raurica and [116]. The mint of Republican Rome was in the Capitol [117], near the temple of Juno Moneta, as Livio [118] states, which means that in times of Augustus was still there. The burning of the Capitol in 80 A.D. was the origin of many interventions and quite possibly the transfer of the mint. In 84 he began to mint the kind of monetary back augusta [119], probably somehow commemorating the opening of the new shop. The move would take the mint to Regio Tertia, under the present church of S. Clemente near the Colosseum and must not be earlier than the Flavian. It is the only mint to our knowledge that was built for this purpose [120]. The excavated building is rectangular and about 65x30 m, which would be about 638m2 without the patio, has twenty tabernae, and perhaps a second floor with workshops and apprenticeships file [121] (Fig. 9). Its plan coincides with the fragment of a lost plant Severan marble, which reads MON within a rectangular courtyard building and tabernae (fig. 10). http://www.uv.es/ripolles/Web_PP/Tema-3.htm

Can be good this system works like AOE with helares units. Thank you.

hahaha

http://www.monedasdelbajoimperio.com/2011/07/la-fabricacion-de-monedas-romanas-y-el.html This is Spanish but have the mint tools from roman era. I was knew mint in Spanish is ceca(always I thought the coinage was in house of coin) . Now can be easily find. Somebody speak other language to add more information.

Tank you know we can, add bodies hehe.(not now, soon)

Haha, I was tell you.. The ancient uses temples as banks or government institutions.And Juno is a goddess

here Crucifix_UV.zip

ok...I send you and you can post it(upload)as work from both XD. May be we can test in CoM.

interchange the textures. are inverted

the next time share the name with me XD.

According to Suidas, the mint was located in (or at least near) the temple of Juno Moneta on the Capitoline Hill. By this time Rome was familiar with coinage, as it had been introduced to Italy in the Greek colonies of Metapontum, Croton, and Sybaris before 500 BC and Neapolis ca 450 BC.[2] Rome had conquered a large portion of central Italy, giving it large quantities of bronze, but little silver. I found when coinage+ mint+rome http://en.wikipedia.org/wiki/Roman_Republican_coinage Now we get the names of the buildings not only mint .

Not, remember we need all texture are right and with correct uvmapping and in their own cross. And saved in a single file.May be we put this in game mod.

Around the middle the 3rd century C. E., Roman mints began incorporating mint marks on their coins - Roman Bureaucracy at work. This actually was part of a quality control endeavor to help regulate consistent coin weights across the empire. Collecting coins from the same mints or collecting a specific coin type from various mints, are directions many take in this hobby. Being able to read the mints is very helpful in fully attributing a coin and necessary if using RIC as your attribution source. Mint marks contain one to three elements [surprisingly, the Romans never established a consistent system for applying the mint marks]: 1st - a letter: P (Pecunia = money), M (Moneta) or SM (Sacra Moneta = Imperial money). 2nd - one to four letters representing the mint. 3rd - a single letter indicating the Officina or workshop. In the Latin system, the officina was indicated by A = prima or 1st officina, B = secunda or 2nd, C = tertia or 3rd, etc. With the monetary reforms of Aurelian and Diocletian came changes in the mint markings [or at least the notation in the exergue - the area at the bottom reverse of the coin]. Roman numerals appeared, the meaning of which is still debated. Often a single letter or a letter between stars is all that appears in the exergue. The table below lists the major Roman mints and their marks. This table appears several places on the internet so I am unsure of the source (although it parallels Sear and Van Meter texts) and I have added some more obscure mint sites. Security and secrecy at the mints were of prime importance, as it is now. It is surprising how little has come down to us in written records or in artifacts. Worn and broken dies were probably recycled and records destroyed. There is a fascinating Roman Republican denarius depicting mint tools that was minted by T. Carisius. 46 BCE. The link to the left will take you to an example on Wildwinds.com. Occasionally counterfeiters' dies will be unearthed and in extremely rare occurances an official die will turn up. Recently a wonderful example of a Roman Republican die was sold at auction with an estimate of $12,000. The Romans also used over 600 provincial mints in cities around the empire. For information on these, click here: Provincial mints. http://tjbuggey.ancients.info/orter.htm http://tjbuggey.ancients.info/mints.html Ok now we know where find...

Needs textures in the models , I haven't time to learning that yet.

yeah, the Latin cross is first and is dark wood and the tau cross is light wood.

Ok get, I warning to you, may be we can find a exactly one, many of building of that time frame were destroyed. But... I try to find something like that.

Hmmm I send you the last file. And in need have the last texture. You remember them have wrong size and textures?

very difficult what age or time frame are you looking for?

Help me to finish it... Someday hahaha. Congratulations for the new skeletons and the animations possibilities .